The Annual Combo List of our favorite songs, ranked and averaged.
Top 20:
The Annual Combo List of our favorite songs, ranked and averaged.
Top 20:
Kent’s Best of:
Legitimately Good Albums
Good Albums That Aren’t As Good As The Legitimately Good Albums, But Are Still Pretty Good.
Albums that have one or two really good songs on them, and a bunch of filler.
Albums with a great sound that don’t have any great songs on them
Album that would have been on this list had Kurt Vile not come around
and said “This is how you do it”
5) The Anlers:Burst Apart – Their last album, Hospice, was great, but sounded lousy. This album is good but it sounds great. The Antlers make great songs. Every Nigh My Teeth Are Falling Out. Come on.
4) Lykki Li:Wounded Rhymes – Any of these next three could be my number one album. Lykki Li is like 20 or something. It’s crazy how good these songs are when you consider how young she is. There seems to be a real trend of retreading Phil Spector. But her Sadness is a Blessing is the only take on it that expanded on it in any way. Love Out of Lust is going to be one of my favorite songs as long as I am in love. Rich Kid Blues and Get Some should be on the radio.
3) Cults:Cults – Okay, I take that back. I think the Cults reference the Spector sound and they do some good stuff with it indirectly. Go Outside is one of my favorite songs of the year, which is unfortunate because it was released last year. The album is 2011 however, and songs like You Know What I Mean and Bumper grew on me all year. Kent hit the head on the nail. This is next what seems to be a constant line of noise guy/girl singer bands (Sleigh Bells, Crystal Castles).
2) Generationals:Actor-Castor/Trust – I’m lopping together the EP and the album because both were excellent. I wanted like the dickens to put as my number one entry. But the only problem with this band – it’s fundamental to them and I don’t think they should change it – their lyrics don’t mean anything to me. So you have these unbelievably songs and pretty good production, but the words don’t take me anywhere. Which is a shame. It was by far the best tunes of the year in my opinion. Yes, I just said tunes.
1) Okkervil River:I Am Very Far/Mermaid – I love this band, and this is their best work since Black Sheep Boy. Also, as Kent pointed out to me last month, the Mermaid Single is a real piece of work too. Will Scheff is kind of a jerk, as I learned this year. But I will take his lyrics over almost anyone at this point. And they take enough left turns musically to make it an interesting album in that regard as well.
Find this same information here, at Brent’s blog: http://iloveyou2themax.blogspot.com/2011/12/best-albums-of-2011.html
Still to come: The Best Songs of 2011 List
Time for the annual tradition. The best music you’ve never heard rated by Kent and Brent, who have deemed themselves some kind of critics worthy of being listened to.
Brent first:
11) Sufjan Stevens – All Delighted People EP
Sufjan Stevens put out this EP, and then he put out an electronic LP. Everyone loves the electronic one. I don’t get it. This EP is the best thing Sufjan Stevens has ever done. Maybe I should now offer up that I don’t really care for Sufjan Stevens. But this is a collection of needlessly long songs that still somehow won me over. How did he do it? I don’t know. The title track is particularly good. Anyone who wonders what Simon and Grafunkel’s “Sound of Silence” would be like if it was spread out over a start-and-stop over-orchestrated eleven minute song. Wonder no more.
Best Song: All Delighted People (Original Version)
10) Phosphorescent – Here’s to Taking It Easy.
This is a band that I have always listened to once, and put down. I never really gave them a shot. But this album is a) perfectly named, and b) really beautiful. It’s just standard alt-country fare, and the lead singer sounds like a wiener. But they do what they do very well. And I like to listen to them while I do my dishes. And look out the window. And dream about what I’m going to do when Chelsey gets out of jail.
Best Song: The Mermaid Parade
9) Vampire Weekend – Contra
This should probably be higher, but it’s no longer summer, and I am only able to appreciate Vampire Weekend in the sun. This was my favorite car album. Driving around, listening to “Run”, or “I Think Ur a Contra” were some of the best moments of my summer. My one regret is that I never got to listen to them on a beach this year. Actually I have two regrets. I wish “Holiday” had not been co-opted by Tommy Hilfigger, or whoever the fuck that is with the car and the table and the driving dog. I hate the people in those ads. I hate the people in all ads that have to do with name bands that one could find in a department store. What fantasy are you selling? There’s a polo ad on right now that is just so dumb. There’s a recession, and it’s about this douchebag who plays polo, and yachts and all this rich shit. Fuck you, polo guy, there’s double digit unemployment. We would all like to burn your boat to the ground and eat you. Well, maybe not all of us.
Best Song: Taxi Cab
8 ) Charlotte Gainsbourg – IRM
More remarkable than the fact that I like this album is the fact that Beck produced it, and I like this album. I haven’t like anything Beck has done in like 8 years. I just assumed he was lousy now. But this album is a) terrific, and b) sounds like Beck produced it. He’s all over it. And CG is very smouldery on it. This album is really sexy, and it sounds like it was carefully made. What more can you ask for?
Best Song: Heaven Can Wait (featuring Beck!!) Continue reading »
So Leslie and I spent New Year’s Day in the Touro ER after I sliced my thumb open with a box cutter.
Click more for the gory results.
From your mostly absent friends at elbuzzard.com
It’s beautiful weather in New Orleans right now. I was eating my lunch in Jackson Square today, and trying to finish the last Harry Potter book before the movie comes out. As usual, there are a ton of people in the Square enjoying the day. I noticed a gutterpunk couple sleeping in the sun. They looked comfortable. Dirty, but comfortable.
After a chapter or two, I look up and notice that the woman, who looked to be around 20, is trying to wake her boyfriend(?) up. She’s patting him on the head, poking him, kissing him, pushing him over. There is no response. He feebly rolled over at one point, and I figured he just wanted some more sleep. She kept at him, and he remained motionless. She stood up and tried to drag him, and he didn’t move. I started to get concerned, but I know better than to get involved with gutterpunks, so I just kept watching, waiting for her to look like she wanted help. She never did.
Eventually, she gave up trying to wake him, and walked off towards the front of the Cabildo, where I watched her talk to some of the street people there. She didn’t seem too worried, although I did see her point in the direction of the Square once.
I was torn about what to do. I surely didn’t want to go over to the passed out man in the Square, but I was also worried for him. I didn’t want to read about how a young man overdosed in the middle of Jackson Square and no one noticed. I contemplated calling 911, but didn’t. Eventually, I saw an NOPD officer that I recognized pass by on a Segway on Chartres in front of the Cathedral. I walked over to him and told him that there was a gutterpunk passed out in the Square, and that he didn’t look too good. He said he would check it out. I headed back towards work.
I was intending to go back to work, but my curiosity got the better of me, and I went back into the Square. On my way, I passed the young woman. She was talking to a tourist couple seated on bench and smoking a cigarette. She still didn’t seem too concerned about her companion.
I got back to the center of the Square, and watched the cop approach the man. He tapped him with his foot to wake him, but got no response. He nudged him harder and spoke louder, and eventually the gutterpunk started coming too. Then he lunged for the cops knees and tackled him. They rolled on the grass for a bit, but the officer quickly subdued the man and called his partner over. As he handcuffed him, the gutterpunk was wailing “No!” and “Please, baby!” The cops were rough with him, I think deservedly so. They never swung at him, but they did forcefully keep his head to the ground with their knees until he was handcuffed. It was not pleasant to watch, knowing that I started it. Eventually more cops showed up and he was taken in. His girlfriend talked to the cops for a bit, but was told to go away. She collected their things and walked off.
I really felt bad about the whole thing. I knew he was going to get arrested if I told the cops about him. I also knew that if I went over there myself, nothing was going to come of it. I didn’t want him to get hurt, but I also didn’t want him to OD in the Square. I’ve also been harassed enough by gutterpunks (you’re an easy target when you are young and wear a coat and tie in the French Quarter) to not really want to see them around. I’m sure some are great people. But my experience tells me that many are hostile, intimidating, and rude to everyone who doesn’t live by their philosophy of life. I don’t wish them ill, I just wish they were nicer to strangers.
So, to the gutterpunk that I helped get arrested today in Jackson Square, I’m sorry.
I’m not really sure how I never saw this movie until now. I think it came out in that period between 2002-2007 where I didn’t really watch movies.
Such a shame, because it is really a great film. I had previously only seen Adaptation, and I could never understand what the appeal of Charlie Kaufman was. After ESOTSM, I totally get it. It was like watching an Italo Calvino novel.
What a boring movie Adaptation was. Now I see that it wasn’t Charlie Kaufman’s fault, it was Nicolas Cage’s fault. Or maybe Spike Jonze’s.
After checking Wikipedia, I see that Spike Jonze has directed three movies: Being John Malkovich (written by Kaufman, which I haven’t seen), Adaptation, and Where the Wild Things Are (which is terrible). I think perhaps Spike Jonze’s reputation is a bit overblown.
My apologies for not updating this in awhile. In order to try and make myself update more regularly, I’m going to try to put reviews of movies/music that I have recently seen up here. Since I usually see movies about a year after they come out, I will not feel bad about posting spoilers.
The Lovely Bones.
I never read the book, but I’ve heard many people have. It seemed like there was a lot in this movie that would be better with a deeper exploration, the kind you can do with a book that is harder to do with a movie. I don’t feel I am the kind of person who needs a happy/satisfying ending every time, but it really seemed to me that the ending of the film said that it didn’t really matter that these children had died in terror at the hands of a brutal killer, so long as they had each other in heaven. It was pretty unsatisfying. Because I wanted a little justice in my ending, it made me feel like a movie watcher with totally unrefined and pedestrian tastes.
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